
À la chapelle Sixtine (organ version: Evocation à la Chapelle Sixtine) Virág-dal ( Chant des Fleurs), piano, Op. Tamássy József kedvelt dalai, 16 Hungarian folksongs, voice and piano:
60 Grand Duchess Maria Pavlovna of Russia. 35 Ernest II, Duke of Saxe-Coburg and Gotha. 16 René de Galard de Béarn, Marquis de Brassac. The last composer to die whose works Liszt dealt with was Géza Zichy (1849–1924). 1507), but Liszt's treatment was not of Arcadelt's original work, rather of a setting by Pierre-Louis Dietsch loosely based on Arcadelt. The earliest-born composer whose works Liszt dealt with was Orlande de Lassus (born c. In most cases, Liszt arranged only one or two pieces by a composer, but he delved more deeply into the works of Bach, Beethoven, Berlioz, Donizetti, Mendelssohn, Meyerbeer, Mozart, Rossini, Schubert, Verdi, Wagner, and Weber. Liszt also extensively treated his own works in a similar manner, but these are not tallied here-neither are his treatments of national (or "folk") melodies whose composers are unknown, nor other anonymous works. These treatments included transcriptions for other instruments (predominantly solo piano), arrangements, orchestrations, fantaisies, reminiscences, paraphrases, illustrations, variations, and editions. This article lists the various treatments given by Franz Liszt to the works of almost 100 other composers. Franz Liszt, after an 1856 painting by Wilhelm von Kaulbach